"In Dromgoole's touring production of Hamlet, Laura Forrest-Hay's deliberately anachronistic score features a rustic mix of medieval crusade songs, ghostly sound effects and 16th- and 17th-century Scandinavian folksongs, arranged for a ragtag bunch of instruments: modern saxophone and acoustic guitar, accordion, fiddle and percussion. Says Dromgoole: "That sort of free-play with anachronism, where you're simultaneously in your own age and you're in a bit of the past and a long way back, is what we base a lot of our work on at the Globe." Not that the days of Jacobean music on the South Bank are over, he says. "Filling in those gaps in people's musical knowledge is such an important part of understanding how we can move forward. If we don't really know our own culture, and our own traditions and our own history as it was, then it's very hard to reinvent the future in interesting ways."Sadly, the closest the production will be to me is Buxton which is a pity because we have an open air theatre going spare on Renshaw Street in Liverpool.
Saturday, June 11, 2011
The Guardian has an excellent piece on the musicians from Shakespeare's Globe. Artistic director, Dominic Dromgoole, offers some insight into the compositions for the touring production of Hamlet