// API callback
recentpostslist({"version":"1.0","encoding":"UTF-8","feed":{"xmlns":"http://www.w3.org/2005/Atom","xmlns$openSearch":"http://a9.com/-/spec/opensearchrss/1.0/","xmlns$blogger":"http://schemas.google.com/blogger/2008","xmlns$georss":"http://www.georss.org/georss","xmlns$gd":"http://schemas.google.com/g/2005","xmlns$thr":"http://purl.org/syndication/thread/1.0","id":{"$t":"tag:blogger.com,1999:blog-10195862"},"updated":{"$t":"2021-06-26T09:09:23.997+01:00"},"category":[{"term":"news"},{"term":"books"},{"term":"hamlet"},{"term":"playing the dane"},{"term":"arden"},{"term":"broad church"},{"term":"almost hamlet"},{"term":"david tennant"},{"term":"royal shakespeare company"},{"term":"shakespeare at the BBC"},{"term":"ophelia"},{"term":"editions"},{"term":"kenneth branagh"},{"term":"BBC"},{"term":"criticism"},{"term":"derek jacobi"},{"term":"early modern drama"},{"term":"eyewitnesses"},{"term":"macbeth"},{"term":"shakespeare's globe"},{"term":"extracts"},{"term":"laurence olivier."},{"term":"pilgrimages"},{"term":"interviews"},{"term":"simon russell beale"},{"term":"a midsummer night's dream"},{"term":"about"},{"term":"british library"},{"term":"jude law"},{"term":"patrick stewart"},{"term":"richard burton"},{"term":"simon callow"},{"term":"biographies"},{"term":"british museum"},{"term":"canonicty"},{"term":"double falsehood"},{"term":"fragments"},{"term":"john gielgud"},{"term":"julius caesar"},{"term":"penguin"},{"term":"radio"},{"term":"comment"},{"term":"david warner"},{"term":"dover"},{"term":"greenwich theatre"},{"term":"henry vi"},{"term":"kevin kline"},{"term":"mel gibson"},{"term":"national theatre"},{"term":"production previews"},{"term":"rory kinnear"},{"term":"shakespeare's sonnets"},{"term":"stage on screen"},{"term":"the spanish tragedy"},{"term":"andrius mamontovas"},{"term":"as you like it"},{"term":"audiogo"},{"term":"ben crystal"},{"term":"british pathe"},{"term":"edward III"},{"term":"ethan hawke"},{"term":"fiona shaw"},{"term":"henry irving"},{"term":"henry v"},{"term":"jonathan slinger"},{"term":"judi dench"},{"term":"lodestar theatre company"},{"term":"mark rylance"},{"term":"michael redgrave"},{"term":"michael sheen"},{"term":"much ado about nothing"},{"term":"music"},{"term":"nicole williamson"},{"term":"othello"},{"term":"parodies"},{"term":"richard eyre"},{"term":"richard iii"},{"term":"romeo and juliet"},{"term":"shakespeare 4 kids"},{"term":"sir thomas more"},{"term":"spotify"},{"term":"the duchess of malfi"},{"term":"the lion king"},{"term":"the merchant of venice"},{"term":"the tempest"},{"term":"the winter's tale"},{"term":"2002"},{"term":"2006"},{"term":"2014"},{"term":"Innokenty Smoktunovsky"},{"term":"Mary Tuomanen"},{"term":"R'n'G"},{"term":"Shakespeare references in the Sight and Sound Greatest Films Poll"},{"term":"a jovial crew"},{"term":"a piece of him"},{"term":"a yorkshire tragedy"},{"term":"adrian lester"},{"term":"alan cumming"},{"term":"alan howard"},{"term":"alex jennings"},{"term":"antony and cleopatra"},{"term":"arcturas"},{"term":"arden of faversham"},{"term":"austin pendleton"},{"term":"barry foster"},{"term":"ben whishaw"},{"term":"benedict cumberbatch"},{"term":"bfi"},{"term":"brad yates"},{"term":"brian cox"},{"term":"campbell scott."},{"term":"cardenio"},{"term":"carl wharton"},{"term":"channel 4"},{"term":"christopher plummer"},{"term":"clare mcmanus"},{"term":"complete productions streamed"},{"term":"conor madden"},{"term":"coriolanus"},{"term":"daniel day-lewis"},{"term":"david meyer"},{"term":"david sedaris"},{"term":"delbert moyer staley"},{"term":"documentaries"},{"term":"edward II"},{"term":"elizabeth cary"},{"term":"emile hirsch"},{"term":"george grizzard"},{"term":"harper collins"},{"term":"helen mirren"},{"term":"henry iv"},{"term":"henry viii"},{"term":"ian richardson"},{"term":"jamie parker"},{"term":"jean-louis barrault"},{"term":"john dougall"},{"term":"john duttine"},{"term":"john ford"},{"term":"john simm"},{"term":"jonathan miller"},{"term":"kate winslet"},{"term":"king lear"},{"term":"laurence olivier"},{"term":"locrine"},{"term":"love's labour's lost"},{"term":"mankind"},{"term":"marc culwick"},{"term":"matthew mellalieu"},{"term":"maxine peake"},{"term":"measure for measure"},{"term":"merchandise"},{"term":"merfyn cave"},{"term":"michael bryant"},{"term":"michael pennington"},{"term":"michael stuhlbarg"},{"term":"michelle dockery"},{"term":"mucedorus"},{"term":"natalie quatermass"},{"term":"nicholas farrell"},{"term":"novas contemporary urban centre"},{"term":"opus arte"},{"term":"orson welles"},{"term":"palace theatre manchester"},{"term":"patrick wymark"},{"term":"paul scofield"},{"term":"perkin warbeck"},{"term":"peter o'toole"},{"term":"philaster"},{"term":"poems"},{"term":"polonius"},{"term":"press releases"},{"term":"rememberances"},{"term":"richard II"},{"term":"richard brome"},{"term":"richard chamberlain"},{"term":"ronald pickup"},{"term":"ruth wilson"},{"term":"shakespeare at ..."},{"term":"shakespeare in the park"},{"term":"siobhan mckenna"},{"term":"sources"},{"term":"st george's hall"},{"term":"the hollow crown"},{"term":"the island princess"},{"term":"the london prodigal"},{"term":"the renegado"},{"term":"the school for scandal"},{"term":"the summoning of everyman"},{"term":"the taming of the shrew"},{"term":"the tragedy of mariam"},{"term":"this american life"},{"term":"thomas lord cromwell"},{"term":"thomas of woodstock"},{"term":"tis pity she's a whore"},{"term":"tony meyer"},{"term":"vivat rex"},{"term":"volpone"},{"term":"will houston"},{"term":"youtube"},{"term":"zach appelman"}],"title":{"type":"text","$t":"The Hamlet Weblog featuring Shakespeare Blogs"},"subtitle":{"type":"html","$t":""},"link":[{"rel":"http://schemas.google.com/g/2005#feed","type":"application/atom+xml","href":"http:\/\/thehamletweblog.blogspot.com\/feeds\/posts\/summary"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/summary\/-\/fragments?alt=json-in-script\u0026max-results=50"},{"rel":"alternate","type":"text/html","href":"http:\/\/thehamletweblog.blogspot.com\/search\/label\/fragments"},{"rel":"hub","href":"http://pubsubhubbub.appspot.com/"}],"author":[{"name":{"$t":"Stuart Ian Burns"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18132101517832896837"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/profile.ak.facebook.com\/profile5\/340\/96\/n604511976_6877.jpg"}}],"generator":{"version":"7.00","uri":"http://www.blogger.com","$t":"Blogger"},"openSearch$totalResults":{"$t":"4"},"openSearch$startIndex":{"$t":"1"},"openSearch$itemsPerPage":{"$t":"50"},"entry":[{"id":{"$t":"tag:blogger.com,1999:blog-10195862.post-7240895679017966950"},"published":{"$t":"2012-05-14T16:57:00.000+01:00"},"updated":{"$t":"2012-06-11T09:56:40.076+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"BBC"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fragments"},{"scheme":"http://www.blogger.com/atom/ns#","term":"national theatre"},{"scheme":"http://www.blogger.com/atom/ns#","term":"rory kinnear"}],"title":{"type":"text","$t":"My Own Shakespeare."},"summary":{"type":"text","$t":"The BBC's Radio 4 blog as a post about the making of My Own Shakespeare which has now begun on that channel and Radio 3.  Interestingly the same recording session also yielded the play excerpts for Shakespeare's Restless World, including this rendition of To Be or Not To Be from Rory Kinnear:\n\n\n\n\n\nKinnear received an Olivier nomination for his 2010 appearance in the role at the National and it's "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/thehamletweblog.blogspot.com\/feeds\/7240895679017966950\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.blogger.com\/comment.g?blogID=10195862\u0026postID=7240895679017966950\u0026isPopup=true","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/7240895679017966950"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/7240895679017966950"},{"rel":"alternate","type":"text/html","href":"http:\/\/thehamletweblog.blogspot.com\/2012\/05\/fragments-my-own-shakespeare.html","title":"My Own Shakespeare."}],"author":[{"name":{"$t":"Stuart Ian Burns"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18132101517832896837"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/profile.ak.facebook.com\/profile5\/340\/96\/n604511976_6877.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/img.youtube.com\/vi\/ID3zNJJuTXI\/default.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-10195862.post-7686654528272184946"},"published":{"$t":"2012-04-07T18:08:00.000+01:00"},"updated":{"$t":"2012-04-07T18:08:16.139+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"david warner"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fragments"}],"title":{"type":"text","$t":"The Essential Shakespeare: Live (2005)."},"summary":{"type":"text","$t":"\n\nWhen Gregory Doran was announced as the new director of the Royal Shakespeare Company, the general reaction was, “Of course he is.”  For all his work elsewhere, apart from Michael Boyd, he’s the person most associated with the company in recent years and it’s of little surprise that when in 2005 the British Library decided to celebrate its massive archive of Shakespeare recordings collected "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/thehamletweblog.blogspot.com\/feeds\/7686654528272184946\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.blogger.com\/comment.g?blogID=10195862\u0026postID=7686654528272184946\u0026isPopup=true","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/7686654528272184946"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/7686654528272184946"},{"rel":"alternate","type":"text/html","href":"http:\/\/thehamletweblog.blogspot.com\/2012\/04\/essential-shakespeare-live-2005.html","title":"The Essential Shakespeare: Live (2005)."}],"author":[{"name":{"$t":"Stuart Ian Burns"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18132101517832896837"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/profile.ak.facebook.com\/profile5\/340\/96\/n604511976_6877.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"http:\/\/2.bp.blogspot.com\/-7YVz52STjjc\/T4BsYFcTLVI\/AAAAAAAACXs\/OYE9tadHoB0\/s72-c\/live.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-10195862.post-1339248218278638672"},"published":{"$t":"2012-04-03T22:40:00.000+01:00"},"updated":{"$t":"2012-04-03T22:42:45.984+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"fragments"}],"title":{"type":"text","$t":"Classic FM:  Favourite Shakespeare (1998)."},"summary":{"type":"text","$t":"\n\nIn the late 90s, Classic FM Magazine asked its readers what they considered to be their favourite pieces of Shakespeare and the results were collected in a book and this double cassette.  There are few surprises.  Sonnet 18 (“Shall I compare thee to a summer's day?”) comes first with Sonnet 116 (“Let me not to the marriage of true minds”) second, with both of Henry V’s iconic speeches in there "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/thehamletweblog.blogspot.com\/feeds\/1339248218278638672\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.blogger.com\/comment.g?blogID=10195862\u0026postID=1339248218278638672\u0026isPopup=true","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/1339248218278638672"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/1339248218278638672"},{"rel":"alternate","type":"text/html","href":"http:\/\/thehamletweblog.blogspot.com\/2012\/04\/classic-fm-favourite-shakespeare-1998.html","title":"Classic FM:  Favourite Shakespeare (1998)."}],"author":[{"name":{"$t":"Stuart Ian Burns"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18132101517832896837"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/profile.ak.facebook.com\/profile5\/340\/96\/n604511976_6877.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"http:\/\/3.bp.blogspot.com\/-sPiAKACC6co\/T3tuO-AZ0pI\/AAAAAAAACWg\/RYngKmwpoUE\/s72-c\/fav.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-10195862.post-3351293757267362575"},"published":{"$t":"2012-03-29T16:48:00.000+01:00"},"updated":{"$t":"2012-04-03T22:44:21.979+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"ben crystal"},{"scheme":"http://www.blogger.com/atom/ns#","term":"british library"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fragments"},{"scheme":"http://www.blogger.com/atom/ns#","term":"matthew mellalieu"}],"title":{"type":"text","$t":"Shakespeare’s original pronunciation (2012)."},"summary":{"type":"text","$t":"\n\nEvery now and then a project captures our imagination and if the number of RTs the link to the British Library’s press release on the @shakespearelogs twitter feed is anything to go by, there is much excitement about this release of extracts from the plays in what curator Ben Crystal and his advisor and father David Crystal are ninety-five percent certain is the original pronunciation as heard "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/thehamletweblog.blogspot.com\/feeds\/3351293757267362575\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.blogger.com\/comment.g?blogID=10195862\u0026postID=3351293757267362575\u0026isPopup=true","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/3351293757267362575"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/10195862\/posts\/default\/3351293757267362575"},{"rel":"alternate","type":"text/html","href":"http:\/\/thehamletweblog.blogspot.com\/2012\/03\/extracts-shakespeares-original.html","title":"Shakespeare’s original pronunciation (2012)."}],"author":[{"name":{"$t":"Stuart Ian Burns"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/18132101517832896837"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/profile.ak.facebook.com\/profile5\/340\/96\/n604511976_6877.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"http:\/\/4.bp.blogspot.com\/-0B9lL7qZBu8\/T3R-ZxBulyI\/AAAAAAAACTY\/uLejcV-ItxY\/s72-c\/Shakespeares%2BOriginal%2BPronunciation%2BCover.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}}]}});